Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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George Frederick watts,O.M.,R.A.
Portrait of Lady Wolverton,nee Georgiana Tufnell,half length,earing a red dress (mk37)

ID: 25416

George Frederick watts,O.M.,R.A. Portrait of Lady Wolverton,nee Georgiana Tufnell,half length,earing a red dress (mk37)
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George Frederick watts,O.M.,R.A. Portrait of Lady Wolverton,nee Georgiana Tufnell,half length,earing a red dress (mk37)


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George Frederick watts,O.M.,R.A.

1817-1904 English painter and sculptor. He studied at the Royal Academy and in Italy, where he developed an enthusiasm for Renaissance painting and Greek sculpture that greatly influenced his work. He executed several decorative commissions, including his large fresco Justice (Lincoln's Inn, London), modeled after Raphael's School of Athens. Many of his allegorical pictures are in the Tate Gallery, London. The National Portrait Gallery, London, contains a large collection of his portraits of eminent contemporaries. The Metropolitan Museum has his Ariadne in Naxos.  Related Paintings of George Frederick watts,O.M.,R.A. :. | The Shaded stream | Admiral Warren-s ships pounding the Brest fleet of Genceral Hardy after intercepting it off Lough Swilly | The Leigh Family d | Winter Sports 1 | Portrait of Charlotte Amalie von Hessen-Kassel |
Related Artists:
Johann Zoffany
German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.
ALBERTINELLI Mariotto
Italian Early Renaissance Painter, 1474-1515 Italian painter. Albertinelli's contribution to the Florentine High Renaissance was inspired by the work of FRA BARTOLOMMEO, and the two artists worked together in a partnership, their paintings appearing to be the product of a single hand. Albertinelli, however, always retained artistic independence, as is revealed in certain paintings that are eccentrically archaic and in others that show a preference for conventions more typical of the early Renaissance.
Domenico Brusasorci
Italian High Renaissance Painter , Verona 1515 ca. - 1567






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